Sunday, April 09, 2006

Opus Dei is Unhappy w/ DVC Portrayal

April 10, 2006, 12:50AM

Opus Dei tries to break Code’s spell on American public’s imagination

Catholic group fights image given by book and movie

By TARA DOOLEY
Copyright 2006 Houston Chronicle

Many readers of Dan Brown’s best-seller The Da Vinci Code first learned about the Catholic organization Opus Dei by way of a murderous albino monk with a bloody dedication to self-mutilation.

With Ron Howard’s movie version set to hit American multiplexes May 19, the tiny international organization of devout Catholics has gone into public-relations high gear with what has become its mantra of the moment: There are no monks in Opus Dei, not even albino monks.

“In the past, for all the talking we did, nobody listened,” said the Rev. Michael Barrett, a priest of Opus Dei and director of Holy Cross Chapel in downtown Houston “ ... The Da Vinci Code all of a sudden made us famous, not in a great way. But it meant that we had to start talking and now people listened.”

Barrett is one of a corps dispatched onto television and radio airwaves as Opus Dei tests the adage that there is no such thing as bad publicity.

After failing to persuade Sony Pictures to remove Opus Dei from the movie, the organization — depicted as one known for its secrecy and power — set out to handle growing attention by using the Internet, books and pamphlets.

Opus Dei members include Joaquin Navarro-Valls, spokesman for Popes John Paul II and Benedict XVI, and Robert P. Hanssen, the FBI agent who pleaded guilty to spying for the Soviet Union in 2001.

“Inside the church and also in secular politics, I would say their influence gets radically exaggerated in the retelling,” said John L. Allen, Jr., author of Opus Dei: An Objective Look Behind the Myths and Reality of the Most Controversial Force in the Catholic Church.

Part of the organization’s mystique stems from its role in Catholicism’s ideological wars after the Second Vatican Council, Allen said. It has been placed squarely in the church’s conservative tradition and enjoyed the attention of Pope John Paul II.

“Dan Brown didn’t create the Opus Dei myth,” Allen said. “He just took it mass market.”

One of Opus Dei’s main publicity tools is its revamped Web site, http://www.opusdei.org. In the past year, it had more than 1 million unique visitors, said Brian Finnerty, United States media relations director for Opus Dei.

In addition, an Opus Dei priest in Rome is blogging on the Da Vinci Code connection on http://www.davincicodeopusdei.com. And the stream of visitors to the U.S. headquarters in New York City — erroneously dubbed the world headquarters in Brown’s novel — are greeted with pamphlets on Jesus, the Catholic church and Opus Dei, Finnerty said.

Opus Dei members have also worked with the United States Conference of Catholic Bishops on a Web site to refute the book’s claims about the divinity and marriage of Jesus, http://www.jesusdecoded.com.

Barrett has gone head to head with Chris Matthews on TV’s Hardball and Matt Lauer on Today. He has taped interviews for upcoming programs on CNN and CBS.

The thoughtful 53-year-old priest with graying hair, soft blue eyes and a hint of the Bronx in his speech is also a contrast to actor Paul Bettany, who plays the monk who leaves a bloody trail in the movie.

Barrett became involved in Opus Dei in 1971 as an undergraduate at Columbia University in New York City. He worked with the group first during a career in the oil industry, as a stock broker and then as a priest. He worked in the group’s Rome office and was its vicar of Texas for 11 years before taking over duties as director of Holy Cross Chapel, owned by the Archdiocese of Galveston-Houston but run by Opus Dei.

Despite its recent supersized exposure, Opus Dei is relatively small — 87,116 members from the world’s estimated 1 billion Catholics, Finnerty said. In the United States, Opus Dei has about 3,000 members and in the Houston area, about 130. It has about 1,900 priests throughout the world.

The organization was founded in 1928 by Josemaria Escriva, a Spanish priest, to inspire lay people to approach life with holiness and a commitment to God.

“We didn’t want to just show up (at Mass) on Sundays and forget our faith the rest of the the week,” said Melanie Hebert, speaking of herself and husband, Jason.

The Heberts, both 26, are Opus Dei supernumeraries, married couples who commit to a schedule of daily prayer, spiritual reading, rosary recitation and Mass. They also go to confession weekly and participate in monthly and annual retreats.

Supernumeraries make up about 70 percent of Opus Dei’s membership. The organization also has numeraries, celibate single men and women who often live in houses owned by Opus Dei but hold secular jobs.

It is these members who participate in corporal mortification, a more controversial practice of Opus Dei. They spend about two hours a day wearing a cilice, a metal mesh band. Once a week, they hit themselves with a discipline, a whip of 18-inch fabric, cord-like strings with knots, while reciting a short prayer, Barrett said.

Critics question Opus Dei’s recruiting practices and claim it fosters a cult-like atmosphere among its celibate members.

Dianne DiNicola founded Opus Dei Awareness Network, a grass-roots organization based in Massachusetts to help former Opus Dei members, after her daughter’s experience as a celibate member of Opus Dei while a college student in Boston.

While in Opus Dei, her daughter’s personality changed and she became estranged from the family, DiNicola said. Eventually, DiNicola’s daughter left Opus Dei with the help of a professional counselor hired by her family, she said.

This renewed spotlight can be uncomfortable, said Opus Dei member Billy Omanga, a 34-year-old network administrator with a wife and daughter. As Omanga sees it, the main problem with The Da Vinci Code is how it portrays Christianity and the Catholic Church.

“This is not a big moment (for Opus Dei),” he said. “It is a moment that has come and we will make the best of it.”



Posted by Admin on 04/09 at 08:55 PM
News • (0) TrackbacksPermalink

Opus Dei is Unhappy w/ DVC Portrayal

April 10, 2006, 12:50AM

Opus Dei tries to break Code’s spell on American public’s imagination

Catholic group fights image given by book and movie

By TARA DOOLEY
Copyright 2006 Houston Chronicle

Many readers of Dan Brown’s best-seller The Da Vinci Code first learned about the Catholic organization Opus Dei by way of a murderous albino monk with a bloody dedication to self-mutilation.

With Ron Howard’s movie version set to hit American multiplexes May 19, the tiny international organization of devout Catholics has gone into public-relations high gear with what has become its mantra of the moment: There are no monks in Opus Dei, not even albino monks.

“In the past, for all the talking we did, nobody listened,” said the Rev. Michael Barrett, a priest of Opus Dei and director of Holy Cross Chapel in downtown Houston “ ... The Da Vinci Code all of a sudden made us famous, not in a great way. But it meant that we had to start talking and now people listened.”

Barrett is one of a corps dispatched onto television and radio airwaves as Opus Dei tests the adage that there is no such thing as bad publicity.

After failing to persuade Sony Pictures to remove Opus Dei from the movie, the organization — depicted as one known for its secrecy and power — set out to handle growing attention by using the Internet, books and pamphlets.

Opus Dei members include Joaquin Navarro-Valls, spokesman for Popes John Paul II and Benedict XVI, and Robert P. Hanssen, the FBI agent who pleaded guilty to spying for the Soviet Union in 2001.

“Inside the church and also in secular politics, I would say their influence gets radically exaggerated in the retelling,” said John L. Allen, Jr., author of Opus Dei: An Objective Look Behind the Myths and Reality of the Most Controversial Force in the Catholic Church.

Part of the organization’s mystique stems from its role in Catholicism’s ideological wars after the Second Vatican Council, Allen said. It has been placed squarely in the church’s conservative tradition and enjoyed the attention of Pope John Paul II.

“Dan Brown didn’t create the Opus Dei myth,” Allen said. “He just took it mass market.”

One of Opus Dei’s main publicity tools is its revamped Web site, http://www.opusdei.org. In the past year, it had more than 1 million unique visitors, said Brian Finnerty, United States media relations director for Opus Dei.

In addition, an Opus Dei priest in Rome is blogging on the Da Vinci Code connection on http://www.davincicodeopusdei.com. And the stream of visitors to the U.S. headquarters in New York City — erroneously dubbed the world headquarters in Brown’s novel — are greeted with pamphlets on Jesus, the Catholic church and Opus Dei, Finnerty said.

Opus Dei members have also worked with the United States Conference of Catholic Bishops on a Web site to refute the book’s claims about the divinity and marriage of Jesus, http://www.jesusdecoded.com.

Barrett has gone head to head with Chris Matthews on TV’s Hardball and Matt Lauer on Today. He has taped interviews for upcoming programs on CNN and CBS.

The thoughtful 53-year-old priest with graying hair, soft blue eyes and a hint of the Bronx in his speech is also a contrast to actor Paul Bettany, who plays the monk who leaves a bloody trail in the movie.

Barrett became involved in Opus Dei in 1971 as an undergraduate at Columbia University in New York City. He worked with the group first during a career in the oil industry, as a stock broker and then as a priest. He worked in the group’s Rome office and was its vicar of Texas for 11 years before taking over duties as director of Holy Cross Chapel, owned by the Archdiocese of Galveston-Houston but run by Opus Dei.

Despite its recent supersized exposure, Opus Dei is relatively small — 87,116 members from the world’s estimated 1 billion Catholics, Finnerty said. In the United States, Opus Dei has about 3,000 members and in the Houston area, about 130. It has about 1,900 priests throughout the world.

The organization was founded in 1928 by Josemaria Escriva, a Spanish priest, to inspire lay people to approach life with holiness and a commitment to God.

“We didn’t want to just show up (at Mass) on Sundays and forget our faith the rest of the the week,” said Melanie Hebert, speaking of herself and husband, Jason.

The Heberts, both 26, are Opus Dei supernumeraries, married couples who commit to a schedule of daily prayer, spiritual reading, rosary recitation and Mass. They also go to confession weekly and participate in monthly and annual retreats.

Supernumeraries make up about 70 percent of Opus Dei’s membership. The organization also has numeraries, celibate single men and women who often live in houses owned by Opus Dei but hold secular jobs.

It is these members who participate in corporal mortification, a more controversial practice of Opus Dei. They spend about two hours a day wearing a cilice, a metal mesh band. Once a week, they hit themselves with a discipline, a whip of 18-inch fabric, cord-like strings with knots, while reciting a short prayer, Barrett said.

Critics question Opus Dei’s recruiting practices and claim it fosters a cult-like atmosphere among its celibate members.

Dianne DiNicola founded Opus Dei Awareness Network, a grass-roots organization based in Massachusetts to help former Opus Dei members, after her daughter’s experience as a celibate member of Opus Dei while a college student in Boston.

While in Opus Dei, her daughter’s personality changed and she became estranged from the family, DiNicola said. Eventually, DiNicola’s daughter left Opus Dei with the help of a professional counselor hired by her family, she said.

This renewed spotlight can be uncomfortable, said Opus Dei member Billy Omanga, a 34-year-old network administrator with a wife and daughter. As Omanga sees it, the main problem with The Da Vinci Code is how it portrays Christianity and the Catholic Church.

“This is not a big moment (for Opus Dei),” he said. “It is a moment that has come and we will make the best of it.”



Posted by Admin on 04/09 at 08:55 PM
News • (0) TrackbacksPermalink

The Amazing Race & The DVC - 4/12/06

Wednesdays on CBS @ 8pm

Taken from a TV Guide article by Craig Tomashoff:

What are the teams doing this week in Rome?

“It has a tie-in to ‘The Da Vinci Code’,’” explains Race cocreator and executive producer Bertram van Munster. “We’ll be using the most famous places in Rome.” At the Trevi Fountain, the teams will receive part of an image of da Vinci’s Vitruvian Man. Then they’ll go in search of the second half of the clue, which will help them crack a secret code.



Posted by Admin on 04/09 at 11:26 AM
News • (0) TrackbacksPermalink

The Amazing Race & The DVC - 4/12/06

Wednesdays on CBS @ 8pm

Taken from a TV Guide article by Craig Tomashoff:

What are the teams doing this week in Rome?

“It has a tie-in to ‘The Da Vinci Code’,’” explains Race cocreator and executive producer Bertram van Munster. “We’ll be using the most famous places in Rome.” At the Trevi Fountain, the teams will receive part of an image of da Vinci’s Vitruvian Man. Then they’ll go in search of the second half of the clue, which will help them crack a secret code.



Posted by Admin on 04/09 at 11:26 AM
News • (0) TrackbacksPermalink

Friday, April 07, 2006

Brown, Publisher Win `Da Vinci Code’ Plagiarism Suit

Brown, Publisher Win `Da Vinci Code’ Plagiarism Suit

April 7 (Bloomberg)—Dan Brown has been cleared of allegations he plagiarized the plot of his international bestseller ``The Da Vinci Code’’ from an earlier work.

Michael Baigent and Richard Leigh, authors of the non- fiction ``The Holy Blood and the Holy Grail,’’ sued Brown’s publisher Random House Inc. in London for copyright infringement. They claimed the author made millions from their theories that Jesus Christ married Mary Magdalene and fathered a child, spawning a royal dynasty.

Justice Peter Smith at the High Court in London today rejected their case, saying that the authors’ ideas were ``too general’’ to be protected under U.K. copyright law and that their book didn’t have one central storyline.

The decision ends the threat that the lawsuit would delay the release of the film version of ``The Da Vinci Code,’’ which is due to open worldwide on May 19, starring Tom Hanks. The tale of religion, murder and mystery, which currently sits atop the New York Times fiction bestseller list, has sold more than 40 million copies.

``Today’s verdict shows that this claim was utterly without merit,’’ Brown said in a statement. ``A novelist must be free to draw appropriately from historical works without fear that he’ll be sued and forced to stand in a courtroom facing a series of allegations that call into question his very integrity as a person.’’

The plagiarism case, which opened on Feb. 27, drew packed courtrooms for three weeks in London. The New Hampshire-based author spent three days on the witness stand defending ``The Da Vinci Code,’’ providing a detailed account of his writing and research process and even his personal fitness regime.

Baigent and Leigh’s allegations centered on 15 plot points common to both books, including the final resting place of the Holy Grail and the idea that Jesus’s royal progeny were guarded by a secret society known as the Priory of Sion, whose ``grand masters’’ have included Leonardo da Vinci and Isaac Newton. ``The Holy Blood and the Holy Grail’’ was published in 1982, more than 20 years before ``The Da Vinci Code.’’

Brown claimed there were critical differences between the two books and that the ideas explored in his thriller have been debated for centuries.

``The ruling is excellent news for genre authors the world over,’’ said Thomas Hays, an intellectual property lawyer at London-based law firm Lewis Silkin. ``This judgment reaffirms an author’s right and freedom to work within the bounds of established forms,’’ he said.

Paperback editions of ``The Da Vinci Code,’’ released on March 28 have already sold around 500,000 copies, according to Random House division Anchor Books.



Posted by Admin on 04/07 at 05:15 AM
News • (0) TrackbacksPermalink

Brown, Publisher Win `Da Vinci Code’ Plagiarism Suit

Brown, Publisher Win `Da Vinci Code’ Plagiarism Suit

April 7 (Bloomberg)—Dan Brown has been cleared of allegations he plagiarized the plot of his international bestseller ``The Da Vinci Code’’ from an earlier work.

Michael Baigent and Richard Leigh, authors of the non- fiction ``The Holy Blood and the Holy Grail,’’ sued Brown’s publisher Random House Inc. in London for copyright infringement. They claimed the author made millions from their theories that Jesus Christ married Mary Magdalene and fathered a child, spawning a royal dynasty.

Justice Peter Smith at the High Court in London today rejected their case, saying that the authors’ ideas were ``too general’’ to be protected under U.K. copyright law and that their book didn’t have one central storyline.

The decision ends the threat that the lawsuit would delay the release of the film version of ``The Da Vinci Code,’’ which is due to open worldwide on May 19, starring Tom Hanks. The tale of religion, murder and mystery, which currently sits atop the New York Times fiction bestseller list, has sold more than 40 million copies.

``Today’s verdict shows that this claim was utterly without merit,’’ Brown said in a statement. ``A novelist must be free to draw appropriately from historical works without fear that he’ll be sued and forced to stand in a courtroom facing a series of allegations that call into question his very integrity as a person.’’

The plagiarism case, which opened on Feb. 27, drew packed courtrooms for three weeks in London. The New Hampshire-based author spent three days on the witness stand defending ``The Da Vinci Code,’’ providing a detailed account of his writing and research process and even his personal fitness regime.

Baigent and Leigh’s allegations centered on 15 plot points common to both books, including the final resting place of the Holy Grail and the idea that Jesus’s royal progeny were guarded by a secret society known as the Priory of Sion, whose ``grand masters’’ have included Leonardo da Vinci and Isaac Newton. ``The Holy Blood and the Holy Grail’’ was published in 1982, more than 20 years before ``The Da Vinci Code.’’

Brown claimed there were critical differences between the two books and that the ideas explored in his thriller have been debated for centuries.

``The ruling is excellent news for genre authors the world over,’’ said Thomas Hays, an intellectual property lawyer at London-based law firm Lewis Silkin. ``This judgment reaffirms an author’s right and freedom to work within the bounds of established forms,’’ he said.

Paperback editions of ``The Da Vinci Code,’’ released on March 28 have already sold around 500,000 copies, according to Random House division Anchor Books.



Posted by Admin on 04/07 at 05:15 AM
News • (0) TrackbacksPermalink

Thursday, April 06, 2006

Welcome to the Cult of Dan Brown blog

Welcome to the Cult of Dan Brown blog.  Here we plan to keep you updated with the latest news about Dan Brown’s books, related movies, book reviews, and news headlines.  This is obviously going to be a work-in-progress so please be patient while we tidy up (I know it looks rather dull right now).  You can access the message board via the Forums link in the upper-right corner of the page.



Posted by Admin on 04/06 at 10:17 PM
News • (0) TrackbacksPermalink

Welcome to the Cult of Dan Brown blog

Welcome to the Cult of Dan Brown blog.  Here we plan to keep you updated with the latest news about Dan Brown’s books, related movies, book reviews, and news headlines.  This is obviously going to be a work-in-progress so please be patient while we tidy up (I know it looks rather dull right now).  You can access the message board via the Forums link in the upper-right corner of the page.



Posted by Admin on 04/06 at 10:17 PM
News • (0) TrackbacksPermalink
Page 5 of 5 pages « First  <  3 4 5